Etchings

Etching done during residency at Guanlan International Printmaking base, finished August 2026, 22 5/8” x 28 1/4”

Etching done during residency at Guanlan International Printmaking Base Summer 2026, 35.4” x 23.6”

This etching is an aquatinted version of Sentinel I — really the second state but a ver4y different print. It was also done at the Guanlan International Printmaking Base in Guanlan, China during the Summer of 2026, 35.4” × 23.6”

State 6 of 20” x 24” Etching, 2025

Etching, 24” x 20”, 2025

Etching and Drypoint, 24” x 20”, 2025

Etching and Drypoint, 24” x 20”, 2024

Drypoint, 14.25” x 11.75, 2023

This copper plate was created at Fondazione Il Bisonte during Evan Summer’s April 2023 residency in Florence, Italy. The edition was printed at Il Bisonte by Fabio Riaudo.

Etching, 2023, 4.75” x 4.75

This etching was done as an ex libris print for Ovidiu Petca.

State 5

In October of 2019 I was able to buy a number of 24” x 20” backed, polished copper plates. They were old and I hadn’t seen plates this nice in a long time.

Just two months earlier I retired from Kutztown University after teaching there 34 years. This was a difficult time with Coronavirus and the resulting closures, quarantine and continuing fear of infection. There was plenty of time to work but progress on my etchings was slow. I’m not able to etch in my own studio and have to rely on other facilities. So I preferred to work on drawings and collagraphs.

States 1 & 2

This print was done in 2021 for a portfolio organized by Miguel Aragon to honor of Kim and Therese Bauer. It is a copper plate done in a combination of etching and drypoint. Paper size was 11” x 14” and plate size is 10.75” x 8”, and it was printed in an edition of 30.

23.5” x 13.5” copper plate etching done in 2021. I saw a tree at Hawk Mountain Sanctuary, photographed it and made a drawing based on my photo. Subsequently I made this line etching.

Etchings, two 10” x 20” prints designed to be exhibited together, 2020

Etching Plate with Drawing Through Ground, 10” x 20”, 2020

Etching, 10” x 20”, 2020

24”x36” , 2019

Etching and Drypoint, 23” x 25”, 2019

Etching, 20” x 20”, 2019

Etching and Drypoint, 32” x 24”, 2019

Etching and Drypoint, 24” x 32”, 2019

Copper plate etching done for a portfolio entitled “The Human Condition” published by Paper Crown Press. 15” x 11” plate, 2018.

Etching and Drypoint, 30” x 24”, 2018

24" x 30" Copper Plate done in 2017 based on a drawing done the same year. The first four states of the print were done entirely in drypoint. State 1 was printed 6-13-2017 and it was completed in August of 2017.

Etching and Drypoint, 36” x 24”, 2016

Etching and Drypoint, 32" x 42", 2016

Etching, 15" x 15", 2016

Etching and Drypoint, 24" x 28", 2015

Etching and Drypoint, 24" x 36", 2015

Etching, 11" x 14", 2015

24” x 24” Plate

Etching and Drypoint, 6" x 8", 2014

Etching, 2014, 9” x 5.75”, done for Carrier Pigeon Magazine

Etching, Drypoint and Collagraph, 24" x 36", 2014

Etching, Drypoint and Collagraph, 36" x 27", 2014

Etching, Drypoint, Collagraph with Graphite and Pastel, trimmed to 29.5” x 26.5”, 2014

Drypoint, 36" x 27", 2013

24" x 36", Drypoint, 2013

Drypoint and Etching, 36" x 24", 2013

Etching and Drypoint, 32" x 24", 2012

Etching, Drypoint and Collagraph, 33” x 24”, 2018

The 2012 print Memory was re-worked in 2018 to become Flooded Interior. More etching and collagraph materials were added to it as part of a workshop Evan did at Northern Illinois University in 2018.

Etching and Drypoint, 33" x 24", 2012

Etching and Drypoint, 24" x 18", 2011

Etching and Drypoint, 16" x 13", 2010

Etching, Engraving and Drypoint, 32" x 24", 2010

Etching and Drypoint, 14" x 14", 2010

Etching, 21" x 16", 2009

Etching and Drypoint, 35" x 22", print done in 2010 during first residency at the Guanlan International Printmaking Base, Guanlan, China

Drypoint, 18" x 16", 2007

Drypoint, 36" x 24", 2007

Drypoint, 10" x 8", 2007

Drypoint, 13" x 10", 2006

Etching, Engraving and Drypoint, 2006

Etching and Drypoint, 2005

This print was done for Drawn to Representation, a portfolio published by the Corcoran Gallery of Art.

Etching, 18” x 15, 2005

Etching and Drypoint, 24" x 36", 2004

Etching and Drypoint, 22" x 29", 2004

Drypoint and Etching, 12.75" x 10.5", 2006

Drypoint, 10" x 8", 2003

Etching, 36" x 28", 2003

Etching, Engraving and Drypoint, 24" x 36", 2002

Etching and Drypoint, 24" x 22", 2001

Etching and Drypoint, 36" x 24", 2001

Etching, 20” x 18”, 1989

Etching, Engraving and Drypoint, 24" x 19", 2000

Etching, 19" x 21", 1989

Etching, Engraving and Drypoint, 10" x 13", 1992

Etching and Drypoint, 15" x 14", 2000

Etching, Engraving and Drypoint, 29" x 24", 1986

Etching, Engraving and Drypoint, 23" x 29", 1985

Etching, 18" x 16", 1983

Etching, Engraving and Drypoint, 23" x 29", 1983

Etching and Drypoint, 24" x 18", 1982

Etching, Engraving and Drypoint, 22" x 18", 1982

Etching, Engraving and Drypoint, 1982

Etching, Engraving and Drypoint, 36" x 26", 1982

Etching, Engraving and Drypoint, 24" x 29", 1982

Etching, Engraving and Drypoint, 24" x 36", 1981

Etching, Engraving and Drypoint, 24" x 36", 1981

Etching, Engraving and Drypoint, 18" x 24", 1979

Etching and Drypoint, 9" x 11", 1980